The studio practice is one body of work, told through three ongoing chapters. Choose a chapter or read straight through.
My path hasn’t been linear — it’s been built from exploring, testing, and reshaping ideas. From software to studio work, each step sharpened how I see systems, patterns, and creativity.
Drifting Forms Studio grew from that mix: a way to carry curiosity into tangible form.
Today, I’m an artist working out of a hidden studio in Mukilteo, WA. Ink, paint, mixed media, and machine-drawn patterns all find their place here.
I balance raising my son with building a body of work — originals, prints, and field studies — each piece part of a larger practice of making creativity sustainable.
The future is still unfolding. I want my studio to thrive, but I also see art as a bridge: between intuition and technology, between personal craft and shared experience.
Whether through this shop, collaborations, or creative roles, I’m exploring how to make the next chapter as intentional as the work itself.